Art On found objects, mapping and soft topologies
Artist Kate Scardifield’s upcoming show at UTS Gallery elicits pleasure in the generation of new connections and the repurposing of historical tools.
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Artist Kate Scardifield’s upcoming show at UTS Gallery elicits pleasure in the generation of new connections and the repurposing of historical tools.
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Presented at LOEWE’s celebrated Miami Design District store—a space built entirely around an 18th-century granary from Portugal—is the LOEWE FOUNDATION’s third Chance Encounters exhibition, a cross-pollination of different art forms.
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Meet rogue scientists, activists and artists Coral Morphologic.
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Unveiling Issue 8, our most ambitious yet, devoted to a single year in recent history.
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We review the new tome on Sydney’s forgotten European design legacy.
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New perspectives on painting from the former designer-turned-artist.
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One hour on the telephone with the Sydney-based painter and sculptor.
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“Marble embodies western history of effigy, monument and pernicious ideas of empire that still have a way of playing into our daily lives—even now from this remove.”
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“I didn’t want to ignore the popular slogan ‘Make America Great Again.’”
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“When I was in China, I was mostly hanging out with a lot of younger artists. But also I don’t see myself as part of the ‘new ink’ movement. My work is, maybe. But I’m not.”
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Peter Hill—artist, writer, curator and academic—files his thoughts on a Bali-based artist and his new London show.
Read moreMailed to
Vintage Australian postcard, 1985
Leonard Fink’s exultant photographs of cruising men—including two that never made it to our print issue.
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On eight gleaming nuggets inside the New Museum’s survey show.
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Our post-fair roundup of the best on show at Randall’s Island.
Read moreThe insides of it
Calvin Klein Lookspace, 205 W39 NYC
In Museum’s sixth edition, we commissioned Gladys Perint Palmer to illustrate portraits of a lexicographer, curator, artist and baker.
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As the National Portrait Gallery in London shows ‘Gillian Wearing and Claude Cahun: Behind the mask another mask,’ Museum’s editor talks identity, performance and reality television with Wearing herself.
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Wendy Syfret on the fractured, often sad history of Smell-O-Vision: the technology that never quite was.
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An exclusive interview with Pablo Coppola, BALLY’s design director, on the house's relaunch of a paper icon.
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"I believe that explaining the origins and mechanisms that drive fear can help us alleviate it."
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“Even if I am dealing with discarded materials, this is not a rejection of other objects, but rather an engagement with the underdogs.”
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Writer Monica Uszerowicz wrestles—and makes peace—with her nose.
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Museum held an intimate party at Infinity Bakery in Paddington to celebrate the launch of Issue 5, in partnership with G.H. Mumm, Stoneleigh, Sample, Sanpellegrino, S.Pellegrino and Acqua Panna.
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37 years after its doors appeared closed forever, America’s greatest monthly travel magazine was relaunched by a team of Parisians.
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Delve inside the fifth edition of Museum, in which every page relates to the nose.
Read morePhotography Victoria Zschommler
Archigram, edited by Peter Cook
at Paramount by The Office Space